{"id":441,"date":"2018-01-15T18:09:40","date_gmt":"2018-01-15T17:09:40","guid":{"rendered":"http:\/\/www.pablogarcialopez.es\/?p=441"},"modified":"2018-01-15T18:09:40","modified_gmt":"2018-01-15T17:09:40","slug":"criticas-cosi-fan-tutte","status":"publish","type":"post","link":"https:\/\/pablogarcialopez.es\/en\/criticas\/criticas-cosi-fan-tutte\/","title":{"rendered":"Cr\u00edticas \u00abCos\u00ed fan tutte\u00bb"},"content":{"rendered":"

El tenor cordob\u00e9s Pablo Garc\u00eda L\u00f3pez pudo ver realizado su sue\u00f1o de cantar esta \u00f3pera encarnando a Ferrando, pareja inicial y final de Dorabella en el argumento de esta \u00f3pera. Siempre al l\u00edmite de la sobreactuaci\u00f3n, interpret\u00f3 este papel con f\u00e1cil expresi\u00f3n vocal de tenor l\u00edrico-ligero que hace posibles los agudos sin esforzada impostaci\u00f3n, lo que le permite cantar como si de hablar se tratara. Su interpretaci\u00f3n de la famosa aria ‘Un Aura amorosa’, sentado en el proscenio, fue admirable por su delicadeza expresiva y musicalidad, demostrando sus progresos en habilidad vocal, particularidad por la que est\u00e1 llamado a ocupar un lugar preferente dentro de los tenores de su generaci\u00f3n.<\/em>
\nJos\u00e9 Antonio Cant\u00f3n<\/strong>
\n<\/span>El Mundo
\nhttp:\/\/www.elmundo.es\/\u2026\/2018\/03\/04\/5a9bac88468aeb58338b4627\u2026<\/a><\/span><\/p>\n

\n

Pablo Garc\u00eda, tenor de notables cualidades t\u00edmbricas que lo hac\u00edan id\u00f3neo para el cristal de este t\u00edtulo mozartiano.<\/em>
\nAlejandro Fern\u00e1ndez<\/strong>
\nLa opini\u00f3n de M\u00e1laga
\nhttp:\/\/www.laopiniondemalaga.es\/\u2026\/cosi-equilibr\u2026\/991204.html<\/a><\/p>\n

Si el cordob\u00e9s Pablo Garc\u00eda L\u00f3pez, que paso a paso tambi\u00e9n va consolidando su carrera, se mostr\u00f3 comod\u00edsimo en un \u2018Ferrando\u2019 pleno de frescura en los recitativos y encanto en las arias.<\/em>
\nJos\u00e9 Amador Morales<\/strong>
\nCodalario
\n<\/em>https:\/\/www.codalario.com\/\u2026\/critica-manuel-hernandez-silva-\u2026<\/a><\/p>\n

equilibrado por el Ferrando de Pablo Garc\u00eda L\u00f3pez mozartiano puro en emisi\u00f3n y dicci\u00f3n, casi sobreactuado en lo c\u00f3mico pero hondo en interpretaci\u00f3n, ganando cuerpo en los graves siendo ya un tenor al que seguir. Su Aura amorosa literal y digna de bisarse cort\u00f3 la respiraci\u00f3n al p\u00fablico malague\u00f1o que esta vez result\u00f3 excesivamente educado.<\/em>
\nPablo Alvarez Fern\u00e1ndez<\/strong>
\nLa m\u00fasica en Siana
\n<\/em>https:\/\/pablosiana.wordpress.com\/\u2026\/05\/mozart-escuela-de-vo\u2026\/<\/a><\/p>\n

Pablo Garc\u00eda L\u00f3pez cant\u00f3 con gusto su papel, tiene una buena escuela y compuso un Ferrando joven y vehemente. Matiz\u00f3 continuamente \u00abUn aura amorosa\u00bb, de tiempo m\u00e1s vivaz del habitual, aunque me result\u00f3 m\u00e1s lograda \u00abTradito, schernito\u201d.<\/em>
\nRa\u00fal Gonzalez Ar\u00e9valo<\/strong>
\nMundoclasico
\nhttps:\/\/www.mundoclasico.com\/articu\u2026\/\u2026\/Cos%C3%AC-fanno-tutti<\/a><\/p>\n

El d\u00fao masculino del tenor Pablo Garc\u00eda (Ferrando), con buenos momentos en ‘Un aura amorosa’<\/em>
\nManuel del Campo<\/strong>
\nDiarioSur
\n<\/em>http:\/\/www.diariosur.es\/\u2026\/mozart-traves-cosi-20180304004317\u2026<\/a><\/p>\n

Gustando Pablo Garc\u00eda L\u00f3pez (Ferrando) en las arias<\/em>
\nAlfonso Urdiain Hermoso de Mendoza <\/strong>
\nAforolibre
\nhttp:\/\/www.aforolibre.com\/\u2026\/cossi-fan-tutte-en-el-teatro-ce\u2026<\/a><\/p>\n<\/div>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

El tenor cordob\u00e9s Pablo Garc\u00eda L\u00f3pez pudo ver realizado su sue\u00f1o de cantar esta \u00f3pera encarnando a Ferrando, pareja inicial y final de Dorabella en el argumento de esta \u00f3pera. Siempre al l\u00edmite de la sobreactuaci\u00f3n, interpret\u00f3 este papel con f\u00e1cil expresi\u00f3n vocal de tenor l\u00edrico-ligero que hace posibles los agudos sin esforzada impostaci\u00f3n, lo […]<\/p>\n","protected":false},"author":1,"featured_media":447,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11],"tags":[],"class_list":["post-441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas"],"acf":[],"yoast_head":"\nCr\u00edticas \u00abCos\u00ed fan tutte\u00bb - Pablo García-López | Tenor<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pablogarcialopez.es\/en\/criticas\/criticas-cosi-fan-tutte\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edticas \u00abCos\u00ed fan tutte\u00bb - Pablo García-López | Tenor\" \/>\n<meta property=\"og:description\" content=\"El tenor cordob\u00e9s Pablo Garc\u00eda L\u00f3pez pudo ver realizado su sue\u00f1o de cantar esta \u00f3pera encarnando a Ferrando, pareja inicial y final de Dorabella en el argumento de esta \u00f3pera. 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