{"id":940,"date":"2021-07-31T17:35:39","date_gmt":"2021-07-31T17:35:39","guid":{"rendered":"http:\/\/pablogarcialopez.es\/?p=940"},"modified":"2021-09-24T21:55:34","modified_gmt":"2021-09-24T21:55:34","slug":"entrevista-en-la-revista-shangay","status":"publish","type":"post","link":"https:\/\/pablogarcialopez.es\/en\/noticias\/entrevista-en-la-revista-shangay\/","title":{"rendered":"Pablo Garc\u00eda-L\u00f3pez, un tenor en &#8216;tr\u00e1nsito&#8217; (entre el Teatro Real y el Teatro Espa\u00f1ol)"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em><strong>Tr\u00e1nsito&nbsp;<\/strong><\/em>es una pieza teatral en un acto escrita por Max Aub en 1944, y ambientada en una noche de duermevela del a\u00f1o 1947 en el exilio mexicano. Ahora es el debut en la \u00f3pera del compositor&nbsp;<strong>Jes\u00fas Torres<\/strong>, Premio Nacional de M\u00fasica 2012, y se estrena el 29 de mayo. Es un estreno absoluto en nueva producci\u00f3n del&nbsp;<a href=\"https:\/\/www.teatroreal.es\/es\/espectaculo\/transito\" target=\"_blank\" rel=\"noreferrer noopener\">Teatro Real<\/a>&nbsp;junto al&nbsp;<strong>Teatro Espa\u00f1ol de Madrid<\/strong>. Y una obra que le viene como anillo al dedo a&nbsp;<a href=\"https:\/\/pablogarcialopez.es\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pablo Garc\u00eda-L\u00f3pez<\/a>&nbsp;que, realmente, est\u00e1 en esos momentos \u2018en tr\u00e1nsito\u2019.https:\/\/www.dailymotion.com\/embed\/video\/x81dhrw<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y lo est\u00e1 en el sentido literal. Garc\u00eda-L\u00f3pez llega a este estreno mundial tras su reciente participaci\u00f3n en&nbsp;<em>Manon Lescaut,<\/em>&nbsp;de Puccini, en Baluarte de Pamplona, en enero, y su concierto&nbsp;<em>La canci\u00f3n espa\u00f1ola<\/em>&nbsp;en el Gran Teatro de C\u00f3rdoba el 3 de marzo. Y entre sus pr\u00f3ximos proyectos destacan su Basilio en&nbsp;<em>Las bodas de F\u00edgaro<\/em>&nbsp;en la \u00d3pera de Lausanne en noviembre y la presentaci\u00f3n de su \u00faltimo disco,&nbsp;<em>Rutas<\/em>, en el Club Matador de Madrid, el 21 de junio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El Real y El Espa\u00f1ol unen de nuevo sus fuerzas tras el tambi\u00e9n estreno mundial, hace dos a\u00f1os, de&nbsp;<em><a href=\"https:\/\/shangay.com\/2019\/03\/07\/critica-de-opera-je-suis-narcissiste-opera-contemporanea-teatro-real-garcia-tomas\/\">Je suis narcisiste<\/a><\/em>, que estaba nominada en los&nbsp;<strong>International Opera Awards<\/strong>&nbsp;que se entregaron hace unos d\u00edas en la categor\u00eda de&nbsp;<a href=\"https:\/\/shangay.com\/2021\/05\/07\/teatro-real-international-opera-awards-oscar-opera\/\">Mejor Estreno Absoluto<\/a>. Unos premios en los que el coliseo de la Plaza de Oriente fue galardonado como el&nbsp;<a href=\"https:\/\/shangay.com\/2021\/05\/10\/teatro-real-mejor-teatro-opera-international-opera-awards\/\">mejor teatro de \u00f3pera del mundo<\/a>. Ahora, con&nbsp;<strong><em>Tr\u00e1nsito<\/em><\/strong>, intentan repetir \u00e9xito con este texto de Max Aub&nbsp;que aborda el tema del exilio republicano espa\u00f1ol y su conflicto entre el posible regreso o la permanencia en la nueva tierra.https:\/\/www.dailymotion.com\/embed\/video\/x81dhrx<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La \u00f3pera se desarrolla en un acto dividido en doce \u2018instantes\u2019, en los que el protagonista, Emilio, va interactuando con el resto de personajes durante una noche, como decimos, en duermevela. Cuando todav\u00eda muchos excombatientes y exiliados republicanos espa\u00f1oles conservaban la esperanza de que los ej\u00e9rcitos aliados contendientes en la II Guerra Mundial pondr\u00edan fin al r\u00e9gimen franquista, Max Aub adelant\u00f3 la detenci\u00f3n total del tiempo con la que la historia habr\u00eda de condenar a todos ellos en un laberinto de lealtades encontradas, desgarros y desenga\u00f1os pol\u00edticos y personales. El tenor cordob\u00e9s Pablo Garc\u00eda-L\u00f3pez interpreta el papel de Pedro, el hijo del protagonista, el bar\u00edtono zaragozano Isaac Gal\u00e1n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como explica el propio autor de la \u00f3pera, Jes\u00fas Torres, el papel de Pedro, uno de los cinco de esta \u00f3pera de c\u00e1mara, se adapta perfectamente al momento y caracter\u00edsticas del tenor Pablo Garc\u00eda L\u00f3pez: \u201cEn 2019, cuando&nbsp;<a href=\"https:\/\/shangay.com\/?s=Joan+Matabosch\"><strong>Joan Matabosch<\/strong><\/a>&nbsp;y yo hablamos de los cantantes para mi obra, coincidimos en que Pablo Garc\u00eda L\u00f3pez era el tenor ideal para el rol de Pedro. Por compromisos fuera de Espa\u00f1a, a Pablo no le fue posible estar en el inicio de este proyecto. Tres d\u00edas antes del comienzo de los ensayos, y por enfermedad del sustituto, se volvi\u00f3 a solicitar desde el Teatro Real su participaci\u00f3n y en esta ocasi\u00f3n s\u00ed que confirm\u00f3 su presencia. Creo que ha sido una elecci\u00f3n muy acertada. Pablo est\u00e1 en un momento radiante de su carrera, con un bell\u00edsimo timbre y potencia amplia, y en el rol de Pedro, el joven hijo de Emilio y protagonista de la \u00f3pera, aporta toda la carga expresiva necesaria para este personaje tr\u00e1gico\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lee la entrevista completa en: <br><a href=\"https:\/\/shangay.com\/2021\/05\/19\/teatro-real-transito-pablo-garcia-lopez-estreno-mundial\/\">https:\/\/shangay.com\/2021\/05\/19\/teatro-real-transito-pablo-garcia-lopez-estreno-mundial\/<\/a><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/shangay.com\/wp-content\/uploads\/2021\/05\/pablo-garcia-lopez-9621-scaled.jpg\" alt=\"\" class=\"wp-image-136620\" width=\"640\" height=\"640\"\/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/shangay.com\/2021\/05\/10\/teatro-real-mejor-teatro-opera-international-opera-awards\/\"><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Tr\u00e1nsito\u00a0es una pieza teatral en un acto escrita por Max Aub en 1944, y ambientada en una noche de duermevela del a\u00f1o 1947 en el exilio mexicano. <\/p>","protected":false},"author":1,"featured_media":840,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7,5],"tags":[],"class_list":["post-940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas","category-noticias"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pablo Garc\u00eda-L\u00f3pez, un tenor en &#039;tr\u00e1nsito&#039; (entre el Teatro Real y el Teatro Espa\u00f1ol) - Pablo Garc&iacute;a-L&oacute;pez | Tenor<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pablogarcialopez.es\/en\/noticias\/entrevista-en-la-revista-shangay\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pablo Garc\u00eda-L\u00f3pez, un tenor en &#039;tr\u00e1nsito&#039; (entre el Teatro Real y el Teatro Espa\u00f1ol) - Pablo Garc&iacute;a-L&oacute;pez | Tenor\" \/>\n<meta property=\"og:description\" content=\"Tr\u00e1nsito\u00a0es una pieza teatral en un acto escrita por Max Aub en 1944, y ambientada en una noche de duermevela del a\u00f1o 1947 en el exilio mexicano.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/pablogarcialopez.es\/en\/noticias\/entrevista-en-la-revista-shangay\/\" \/>\n<meta property=\"og:site_name\" content=\"Pablo Garc&iacute;a-L&oacute;pez | Tenor\" \/>\n<meta property=\"article:published_time\" content=\"2021-07-31T17:35:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-24T21:55:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pablogarcialopez.es\/wp-content\/uploads\/2021\/07\/pablo-garci\u0301a-lo\u0301pez-9705b.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/pablogarcialopez.es\\\/noticias\\\/entrevista-en-la-revista-shangay\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/pablogarcialopez.es\\\/noticias\\\/entrevista-en-la-revista-shangay\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/pablogarcialopez.es\\\/#\\\/schema\\\/person\\\/f12248d3e423f4a151ab9b2c7f1c57a5\"},\"headline\":\"Pablo Garc\u00eda-L\u00f3pez, un tenor en &#8216;tr\u00e1nsito&#8217; 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